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My practice is rooted in process, materiality, and the emotional states that shape my way of seeing. I work primarily with found objects — materials that have already lived, carried weight, and absorbed traces of time. Their pre-existing histories become collaborators in my work, guiding intuitive gestures and allowing the pieces to unfold rather than be predetermined.
Textures, surfaces, and tactile qualities are central to my practice. I approach each material by listening to what it offers: the fragility of discarded fragments, the resilience of industrial scraps, the silent narratives embedded in what others overlook. Through experimentation, I develop my own techniques, shaping new forms of expression that emerge directly from dialogue with the material.
My projects evolve slowly, led by emotion and state of mind as much as by technique. Each work becomes a reflection of an internal landscape — a process of transforming feeling into physicality, presence, and texture. By giving new life to what has been discarded, I explore cycles of renewal, memory, and the quiet poetry of the everyday.